A Masters of Craft Talk with Roxane Gay
Date & Time: Wednesday, November 9th, 2022 | 7:00 PM ET
Duration: 1.5 hours
Tuition: $30
Capacity: Limited. Seats are filled on a first-come, first-served basis.
Date & Time: Wednesday, November 9th, 2022 | 7:00 PM ET
Duration: 1.5 hours
Tuition: $30
Capacity: Limited. Seats are filled on a first-come, first-served basis.
Date & Time: Wednesday, November 9th, 2022 | 7:00 PM ET
Duration: 1.5 hours
Tuition: $30
Capacity: Limited. Seats are filled on a first-come, first-served basis.
ABOUT THE CRAFT TALK
Join Roots. Wounds. Words. (RWW) for this Masters of Craft Talk where New York Times best selling author Roxane Gay discusses words, worlds, and the process and practice of writing while in conversation with RWW Founder Nicole Shawan Junior.
ABOUT THE MASTER STORYTELLER:
Roxane Gay’s (she/her) writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2021, A Public Space, McSweeney’s, Tin House, Oxford American, American Short Fiction, Virginia Quarterly Review, and many others. She is a contributing opinion writer for the New York Times. She is the author of the books Ayiti, An Untamed State, the New York Times best selling Bad Feminist, the nationally best selling Difficult Women, and the New York Times best selling, Hunger. She is also the author of World of Wakanda for Marvel. She has several books forthcoming and is also at work on television and film projects. She also has a newsletter, The Audacity, and a podcast, The Roxane Gay Agenda.
Partial and full scholarships available. To inquire, email Info@RootsWoundsWords.org. Explicitly state which scholarship (partial or full) you’re interested in.
Closed captioning is provided. Like all RWW offerings, this space is for Black, Indigenous, Latinx/e, Asian, and other Storytellers of Color only. BIPOC Storytellers are centered here, exclusively.
This program was funded in part by Humanities New York with support from the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities.